{"@context":{"aiiso":"http:\/\/purl.org\/vocab\/aiiso\/schema#","arm":"https:\/\/ld4p.github.io\/arm\/core\/ontology\/0.1\/","bf":"http:\/\/id.loc.gov\/ontologies\/bibframe\/","bib":"https:\/\/bibliotek-o.org\/","bibo":"http:\/\/purl.org\/ontology\/bibo\/","cito":"http:\/\/purl.org\/spar\/cito\/","classSchemes":"http:\/\/id.loc.gov\/vocabulary\/classSchemes","dbo":"http:\/\/dbpedia.org\/ontology\/","dce":"http:\/\/purl.org\/dc\/elements\/1.1\/","dcmitype":"http:\/\/dublincore.org\/documents\/2000\/07\/11\/dcmi-type-vocabulary\/#","dcterms":"http:\/\/purl.org\/dc\/terms\/","ebucore":"http:\/\/www.ebu.ch\/metadata\/ontologies\/ebucore\/ebucore","edm":"http:\/\/www.europeana.eu\/schemas\/edm\/","foaf":"http:\/\/xmlns.com\/foaf\/spec\/#","frap":"http:\/\/purl.org\/cerif\/frapo","identifiers":"http:\/\/id.loc.gov\/vocabulary\/identifiers","ids":"http:\/\/id.loc.gov\/vocabulary\/identifiers\/","opaque":"http:\/\/opaquenamespace.org\/","pcdm":"http:\/\/pcdm.org\/models#","phaidra":"https:\/\/phaidra.org\/ontology\/","rdam":"http:\/\/rdaregistry.info\/Elements\/m\/","rdau":"http:\/\/rdaregistry.info\/Elements\/u\/","rdax":"http:\/\/rdaregistry.info\/Elements\/x\/","rdf":"http:\/\/www.w3.org\/1999\/02\/22-rdf-syntax-ns#","rdfs":"https:\/\/www.w3.org\/TR\/rdf-schema\/","relators":"http:\/\/id.loc.gov\/vocabulary\/relators","role":{"@context":{"aut":{"@container":"@list","@id":"http:\/\/id.loc.gov\/vocabulary\/relators\/aut"}}},"schema":"http:\/\/schema.org\/","skos":"http:\/\/www.w3.org\/2004\/02\/skos\/core#","skosxl":"http:\/\/www.w3.org\/2008\/05\/skos-xl","vra":"http:\/\/purl.org\/vra\/"},"@id":"https:\/\/phaidra.ustp.at\/o:7855","bf:note":[{"@type":"bf:Note","skos:prefLabel":[{"@language":"eng","@value":"\"Aurélio da Paz dos Reis, the pioneer who introduced cinema to Portugal in 1896 with Saída do Pessoal\nOperário da Fábrica Confiança, later pivoted to stereoscopic photography, leaving an extraordinary\narchive of 7,294 glass plates. This paper examines how Paz dos Reis navigated the transition from\nmoving image to a sophisticated “aesthetic of immersion” through stereoscopic and panoramic\nphotography. Utilizing the technical versatility of the Mackenstein jumelle stéréopanoramique camera,\nhe bridged the gap between the monumental 19th-century panorama and the portable, domestic\nintimacy of the stereo card. By reconfiguring the device’s internal divider and lens alignment, Paz dos\nReis explored the duality of monocular and binocular vision, adapting large-scale immersive strategies\nto portraiture, landscapes, and social documentation.\nThis study analyzes his work through the lens of media archaeology, arguing that his panoramic group\nportraits and urban scenes—captured in Porto, Paris (1900), and Rio de Janeiro (1909)—functioned\nas “time capsules” of the “effect of presence.” We contend that his practice was not merely a commercial\nendeavor but a deliberate visual strategy to document Portuguese national identity and the collective\nexperiences of modernity.\nUltimately, the stereoscopic legacy of Paz dos Reis demonstrates a critical genealogical link between\nVictorian optical innovations and the immersive logics of contemporary digital visuality.\""}]},{"@type":"bf:Note","skos:prefLabel":[{"@language":"eng","@value":"This article has been double-blind peer reviewed."}]}],"dce:subject":[{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"Stereoscopy"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"Aurélio da Paz dos Reis"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"Panorama"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"Media Archaeology"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"Immersive Visuality"}]},{"@type":"skos:Concept","skos:prefLabel":[{"@language":"eng","@value":"Mackenstein Camera"}]}],"dce:title":[{"@type":"bf:Title","bf:mainTitle":[{"@language":"eng","@value":"Aurélio da Paz dos Reis: Stereoscopic Photography and Panoramic VisionssIdentifying the challenges"}],"bf:subtitle":[{"@language":"eng","@value":"7th International Conference on Creative\\Media\/Technologies (IConCMT), 2025"}]}],"dcterms:accessRights":[{"@type":"skos:Concept","skos:exactMatch":["https:\/\/pid.phaidra.org\/vocabulary\/QW5R-NG4J"],"skos:prefLabel":[{"@language":"eng","@value":"open access"},{"@language":"ita","@value":"Open Access"}]}],"dcterms:language":["eng"],"dcterms:subject":[{"@type":"skos:Concept","rdfs:label":[{"@language":"deu","@value":"ÖFOS 2012 -- SOZIALWISSENSCHAFTEN (5) -- Medien- und Kommunikationswissenschaften (508) -- Medien- und Kommunikationswissenschaften (5080) -- Mediengeschichte (508010)"},{"@language":"eng","@value":"ÖFOS 2012 -- SOCIAL SCIENCES (5) -- Media and Communication Sciences (508) -- Media and Communication Sciences (5080) -- Media history (508010)"}],"skos:exactMatch":["oefos2012:508010"],"skos:notation":["508010"],"skos:prefLabel":[{"@language":"deu","@value":"Mediengeschichte"},{"@language":"eng","@value":"Media history"}]},{"@type":"skos:Concept","skos:exactMatch":["https:\/\/d-nb.info\/gnd\/4136734-0"],"skos:prefLabel":[{"@value":"Stereoskopie"}]},{"@type":"skos:Concept","skos:exactMatch":["https:\/\/d-nb.info\/gnd\/4173182-7"],"skos:prefLabel":[{"@value":"Panorama"}]}],"dcterms:type":[{"@type":"skos:Concept","skos:exactMatch":["https:\/\/pid.phaidra.org\/vocabulary\/69ZZ-2KGX"],"skos:prefLabel":[{"@language":"eng","@value":"Text"},{"@language":"deu","@value":"Text"},{"@language":"ita","@value":"Documento PDF"}]}],"ebucore:filename":["Pina_Paz_dos_Reis_Stereoscopic_Photography_and_Panoramic_Visions.pdf"],"ebucore:hasMimeType":["application\/pdf"],"edm:hasType":[{"@type":"skos:Concept","skos:exactMatch":["https:\/\/pid.phaidra.org\/vocabulary\/QKDF-E5HA"],"skos:prefLabel":[{"@language":"eng","@value":"conference object"},{"@language":"deu","@value":"Konferenzveröffentlichung"},{"@language":"ita","@value":"Risultato di convegno"}]}],"edm:rights":["http:\/\/creativecommons.org\/licenses\/by\/4.0\/"],"rdam:P30004":[{"@type":"ids:doi","@value":"10.60522\/o:7855"}],"role:aut":[{"@type":"schema:Person","schema:affiliation":[{"@type":"schema:Organization","schema:name":[{"@value":"Universidade Lusófona"}],"skos:exactMatch":["https:\/\/ror.org\/05xxfer42"]}],"schema:familyName":[{"@value":"Pina"}],"schema:givenName":[{"@value":"Isabel"}],"skos:exactMatch":[{"@type":"ids:orcid","@value":"0000-0002-6988-2334"}]}]}